anti-suburban film

2 posts

Ticking

Little Children (Todd Field, 2006)


Todd Field’s Little Children is an impressive film that jumps off from a potentially hazardous premise. A known sex offender, Ronnie McGorvey (Jackie Earle Haley), moves into an upper-middle class community, and the local parents are scared and outraged. Flyers with the man’s photo are distributed, and some of the parents resort to harassment and vigilante behaviour. Contrasted against this is the unfolding soap opera of the bookish Sarah (Kate Winslet), who starts an affair with the hunky stay-at-home father Brad (Patrick Wilson). As the relationship unfolds, other forms of social dysfunction, less serious but more prevalent, are explored. Field contrasts reactions to the ultimate, unforgiveable transgressions (represented by the fear of what Ronnie might do to local children) with the more everyday neglect and manipulation of children by parents preoccupied with their own gratification. The children in the film are all too often props in their parents’ lives, used as excuses to socialise, alibis to cover illicit meetings, or as sources of information about their spouse’s actions.

Continue reading

Seduced

The Graduate (Mike Nichols, 1967)

There are few films that are so associated with a particular moment in time as The Graduate. It’s the definitive Hollywood inter-generational sex comedy, but it’s also one of the most important youth pictures of an era defined by the actions of its university-age population. The Graduate was a defining film for the emerging late-sixties youth movement, and the virtues of the film remain clearly apparent nearly forty years later: while it might be dated, its palpable sense of period is also one of its great virtues. (Its wall-to-wall use of Simon & Garfunkel songs as score, for example, is extremely evocative). Yet it remains an intriguing movie precisely because of its association with the political turmoil of the late sixties. It is, ultimately, a deeply cynical film that was adopted by an idealistic generation. Why a film that sees youthful rebellion as futile was so heartily adopted by the late-sixties college crowd remains deeply puzzling.

Continue reading