Daily Archives: August 13, 2005

Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer (Tom Shone, Simon & Shuster, 2004)

Tom Shone’s Blockbuster, which charts the rise of blockbuster filmmaking in Hollywood over nearly three decades (starting from the wild success of Jaws in 1975), echoes Peter Biskind’s Easy Riders, Raging Bulls in a number of ways. Just picking it up, you can tell the publishers must be hoping it can replicate the runaway success of Biskind’s book. It even replicates the insert of photos, each captioned with the snappiest, most appealing quotes that can be found in the text.

The most important link, however, is subject matter. Biskind’s book concluded with Steven Spielberg and George Lucas drawing an end to the “New Hollywood” era of the seventies, and Shone picks the story up at that point. Yet Blockbuster is also a reply to Biskind. For Biskind, the coming of the blockbuster was the triumph of barbarism over art: the death of good filmmaking, but Shone’s take is much more receptive to the way in which Spielberg and Lucas did things than Biskind. The beauty of his approach, however, is that he can embrace the pleasures of the blockbuster without giving up his critical faculties. Regular readers will know I’m sympathetic to the point of view Shone espouses here, but it is always a struggle to articulate a critical framework that allows appreciation of such films on their own terms, while still maintaining a distinction between art and trash.

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